{"id":464,"date":"2024-04-26T09:05:30","date_gmt":"2024-04-26T07:05:30","guid":{"rendered":"https:\/\/agataluksza.com\/?p=464"},"modified":"2024-10-23T08:28:28","modified_gmt":"2024-10-23T06:28:28","slug":"on-womens-theatre-history-in-cluj-napoca","status":"publish","type":"post","link":"https:\/\/agataluksza.com\/index.php\/2024\/04\/26\/on-womens-theatre-history-in-cluj-napoca\/","title":{"rendered":"On women&#8217;s theatre history in Cluj-Napoca"},"content":{"rendered":"\n<p class=\"has-small-font-size\">I am still at the Universitatea Babes-Bolyai (UBB) in Cluj-Napoca, Romania, where I had a privilege and pleasure to talk about feminism and theatre history in Central-Eastern Europe on the invitation of a brilliant colleague, prof. <a href=\"https:\/\/cristinamodreanu.com\/\">Cristina Modreanu.<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\">Cristina and a group of amazing Romanian scholars at the UBB have just started an ambitious project <a href=\"https:\/\/fem100.ro\/\">\ud835\udc00\ud835\udc2b\ud835\udc21\ud835\udc22\ud835\udc2f\ud835\udc1a \ud835\udc05\ud835\udc1e\ud835\udc26\ud835\udc22\ud835\udc27\ud835\udc22\ud835\udc2c\ud835\udc2d\ud835\udc1a\u0306 \ud835\udc1d\ud835\udc1e \ud835\udc13\ud835\udc1e\ud835\udc1a\ud835\udc2d\ud835\udc2b\ud835\udc2e. \ud835\udc05\ud835\udc04\ud835\udc0c\ud835\udfcf\ud835\udfce\ud835\udfce <\/a>\u2013 &#8220;an interdisciplinary research and education programme aimed at contributing to the recovery of the theatre&#8217;s intangible heritage, by giving priority to the histories of women artists not recorded in the official history of theatre from 1920-2020&#8221; in Romania.<\/p>\n\n\n\n<p class=\"has-small-font-size\">My lecture, <strong><em>Researching Women&#8217;s Theatre History: A Feminist Scholar in the Archives<\/em> <\/strong>opened the inauguration of the project at the historical site of the UBB Faculty of Theatre and Film at the heart of Cluj-Napoca. I presented challenges, opportunities, joys and disappointments experienced by the <a href=\"http:\/\/www.hypatia.pl\/\">HyPaTia<\/a> research team, which I am part of. Since 2012 HyPaTia, established by prof. Joanna Krakowska and consisting of more than dozen researchers, has been working on recovering women&#8217;s theatre history in Poland. In 2022 we launched the second edition of the project, this time led by dr. Katarzyna Ku\u0142akowska. (You can watch my lecture in Cluj-Napoca and those of other brilliant women <a href=\"https:\/\/fem100.ro\/conferinte\/\">here<\/a>.) <\/p>\n\n\n\n<p class=\"has-small-font-size\">After my lecture, professor Miruna Runcan presented <a href=\"https:\/\/fem100.ro\/critica-de-teatru-feminina-in-secolul-20\/\">an online exhibition<\/a> she curated concerning women&#8217;s theatre critics in Romania. Be sure to follow the <a href=\"https:\/\/www.facebook.com\/people\/Arhiva-feminist%C4%83-de-teatru-FEM100ro\/61558004314923\/\">FEM100<\/a> research team \u2013 more online exhibition will be curated as part of their programme.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-08c01c1c wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group wp-container-content-231d8afb is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-d439c89b wp-block-group-is-layout-flex\" style=\"margin-top:0;margin-bottom:0\">\n<figure class=\"wp-block-image size-large wp-container-content-0733e5d0 wp-duotone-unset-1\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"653\" src=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n-1024x653.jpeg\" alt=\"\" class=\"wp-image-465\" srcset=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n-1024x653.jpeg 1024w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n-300x191.jpeg 300w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n-768x490.jpeg 768w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n-1536x980.jpeg 1536w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437485118_122115975626266810_2004638876679972396_n.jpeg 1709w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-nowrap is-layout-flex wp-container-core-group-is-layout-5280e479 wp-block-group-is-layout-flex\">\n<p class=\"has-medium-font-size\"><strong>Researching Women&#8217;s Theatre History: A Feminist Scholar in the Archives<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group wp-container-content-231d8afb is-vertical is-layout-flex wp-container-core-group-is-layout-05b43539 wp-block-group-is-layout-flex\" style=\"margin-top:0;margin-bottom:0\">\n<div class=\"wp-block-group is-vertical is-nowrap is-layout-flex wp-container-core-group-is-layout-5280e479 wp-block-group-is-layout-flex\">\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-f96796aa\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\">Cluj-Napoca, April 25, 2024<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-unset-2\" style=\"font-size:14px\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n-1024x768.jpeg\" alt=\"\" class=\"wp-image-466\" srcset=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n-1024x768.jpeg 1024w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n-300x225.jpeg 300w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n-768x576.jpeg 768w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n-1536x1152.jpeg 1536w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/437147836_122116968626266810_7777871207001198432_n.jpeg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Before the lecture, me and Cristina met with local TV and talked a bit about both FEM100 and HyPaTia. I have never thought I would be on Romanian TV! <\/p>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-unset-3\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square-1024x1024.png\" alt=\"\" class=\"wp-image-468\" srcset=\"https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square-1024x1024.png 1024w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square-300x300.png 300w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square-150x150.png 150w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square-768x768.png 768w, https:\/\/agataluksza.com\/wp-content\/uploads\/2024\/04\/Afis_Square.png 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>I am still at the Universitatea Babes-Bolyai (UBB) in Cluj-Napoca, Romania, where I had a privilege and pleasure to talk about feminism and theatre history in Central-Eastern Europe on the invitation of a brilliant colleague, prof. Cristina Modreanu. Cristina and a group of amazing Romanian scholars at the UBB have just started an ambitious project [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-464","post","type-post","status-publish","format-standard","hentry","category-bez-kategorii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On women&#039;s theatre history in Cluj-Napoca - Agata \u0141uksza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/agataluksza.com\/index.php\/2024\/04\/26\/on-womens-theatre-history-in-cluj-napoca\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On women&#039;s theatre history in Cluj-Napoca - Agata \u0141uksza\" \/>\n<meta property=\"og:description\" content=\"I am still at the Universitatea Babes-Bolyai (UBB) in Cluj-Napoca, Romania, where I had a privilege and pleasure to talk about feminism and theatre history in Central-Eastern Europe on the invitation of a brilliant colleague, prof. 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